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Benjamin Miller (1877-1964), American Expressionist Woodblock Artist, was born in Cincinnati, Ohio. He studied at MIT (Massachusetts Institute of Technology) and the Cincinnati Art Academy under Duveneck, Meakin, and Sharp. Traveling in Europe in 1919, he was influenced by the vigorous revival of the woodcut, especially those of Gauguin and Nolde and Rohlfs, and turned to European Modernism for stylist inspiration. From 1924 to 1935 he created powerful, emotionally charged woodcuts that received recognition and international acclaim both in this country and abroad. His abstract works, completed in 1935, are among the earliest abstract prints made in the United States. Physical illness prevented him from continuing his career as an artist after that time. He died in Cincinnati in 1964. HI woodblock prints are represented in many institutions including the Bibliotheque Nationale, the New York Public Library, the Boston Museum of Fine Arts, and the Cincinnati Art Museum.

"In little more than a decade, he mastered a difficult medium – the woodcut – and forged a distinctive style that reflected a subtle understanding of and deep sympathy for advanced trends in modern art, especially the work of contemporary German artists such as Kathe Kollwitz and Karl Schmidt-Rottluff. The lovely linear woodcuts and abstract images Miller created in the early 1930s are exquisitely drawn and rank among the finest prints of this type produced in the United States at that time. Allen Bernard’s catalogue raisonné is a welcome addition to the literature on twentieth-century American printmaking and on the important role that Cincinnati played in its history.”
                                      
   – Timothy Rub, Director of the Cincinnati Art Museum.

 “Miller’s work can stand with the very best graphic art being produced in Paris, Berlin, or New York in the first quarter of the twentieth century."

 –Joseph G. Goddu, Director of Prints at Hirschl and
Adler Galleries, New York City

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